Serena

An intimate portrait of four-time Olympic gold medalist and international sports icon Serena Williams, focusing on the external pressures and vulnerabilities Williams faces in her quest to achieve four Grand Slams in a row.

Oh! Man

After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.

The Story of the Weeping Camel

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Born Into Brothels: Calcutta's Red Light Kids

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Wege Gottes

Full Metal Village

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Sylvie's Story

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

Heaven

This playful video from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously taped documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence.

Believe: The Eddie Izzard Story

The story of one person's triumph over adversity: cameras followed the comedian on a very stressful comeback tour and caught the story behind some of her best loved material en route. Prior to her Sexie tour in 2003 and under extreme pressure to write, she delved into her own life for inspiration. So began an accidental voyage into her past that paralleled her world tour and culminated in a moment of revelation about the source of her relentless drive. Film contains exclusive never-before-seen footage including the famous 'wolves' material, Izzard's first student sketches and unicycle-riding as a street performer in Covent Garden. Hilarious and moving by turns, an inspiring tale of how tragedy can be turned to laughter.

The Betrayal (Nerakhoon)

Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.

Eternal Flame

Jumping from the top of Nameless Tower in Pakistan (6,200m), after having climbed the Eternal Flame route, is to combine one of the most beautiful climbs in the world with one of the most beautiful BASE jumps imaginable. Following in the footsteps of pioneer jumpers from the early 1990s, BASE jumpers Éric Jamet and Antoine Pecher take on this immense adventure.

Baronesa

The everyday life of a Belo Horizonte lower class neighborhood.

The Crown

The contestants are murderers, guerrillas, and thieves. The winner will be crowned Queen, but she won't be invited on a press tour as a role model for young girls. Instead, she will be escorted back to her cell.

Two Hitlers

One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.

Prisoner

While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.

Casa Roshell

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.